Chủ Nhật, 1 tháng 3, 2015

Scandale


". . . enjoy these dance pieces at face value, the performances and recording of which are terrific . . . the sections of motoric rhythm in [Stravinsky's] two-piano version of "The Rite" seem made for the percussive character of the instrument, while some of the slower passages reveal more so than in their original garb the challenging harmonic language that so provoked the first audiences . . . ["The Kalender Prince"] provides lyrical contrast before "La valse", deftly, brilliantly executed, the final pages [dogged and relentless] . . . The final Piece is the world premier of Tristano's "A Soft Shell Groove" which, with its foot-tapping (literally) rhythm, is bound to find many friends among listeners and other two-piano teams."  --Gramophone, July 2014


"A glintingly percussive "Rite of Spring" . . . Ravel's "La valse" is technically impressive . . . poetry is again at a premium." --BBC Music Magazine, July 2014
Alice Sara Ott (piano) & Francesco Tristano (piano)

For her new recording rising star Alice Sara Ott teams up with Francesco Tristano, who is a guarantor for highly innovative projects.

Fascinated from the idea of Ballets Russes their challenging programme for two pianos centers upon Stravinsky’s extremely rhythmic and avant-garde score of “The rite of spring”, the crowning success de scandale of Ballets Russes and includes the catchy tune of Rimsky-Korsakov’s “Scheherazade”.

The album features an exciting new composition by Francesco Tristano himself "A soft shell groove", which has never been recorded before.

No ballet company influenced the 20th-century intellectual world as did Serge Diaghilev’s Ballets Russes, with its signature conceptualization of dance, music and the fine arts as equal partners in a unified art form.

Diaghilev’s Ballets Russes became one of the most influential ballet companies of the 20th century, in part because of its ground-breaking artistic collaboration among contemporary choreographers, composers, artists, and dancers.

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